{"id":793091,"date":"2021-10-27T07:35:07","date_gmt":"2021-10-27T14:35:07","guid":{"rendered":"https:\/\/www.microsoft.com\/en-us\/research\/?post_type=msr-research-item&p=793091"},"modified":"2021-11-24T05:26:42","modified_gmt":"2021-11-24T13:26:42","slug":"acrylic-metal-blue-and-a-means-of-preparation-imagining-and-living-black-life-beyond-the-surveillance-state","status":"publish","type":"msr-video","link":"https:\/\/www.microsoft.com\/en-us\/research\/video\/acrylic-metal-blue-and-a-means-of-preparation-imagining-and-living-black-life-beyond-the-surveillance-state\/","title":{"rendered":"Acrylic, metal, blue and a means of preparation: Imagining and living Black life beyond the surveillance state"},"content":{"rendered":"

This talk is a series of \u201csmall comments in no particular order\u201d on the interventions and innovations made by artists whose works grapple with the surveillance of Black life, from policing to encryption, electronic waste, and artificial intelligence. The interventions under study trouble surveillance and its various methodologies, and are \u201ca means of preparation\u201d for imagining and living Black life beyond the surveillance state. (The quoted text is borrowed from Avery F. Gordon\u2019s Hawthorn Archive).<\/p>\n

Learning Materials<\/h4>\n