{"id":595933,"date":"2019-08-07T07:56:38","date_gmt":"2019-08-07T14:56:38","guid":{"rendered":"https:\/\/www.microsoft.com\/en-us\/research\/?p=595933"},"modified":"2022-11-07T12:29:21","modified_gmt":"2022-11-07T20:29:21","slug":"beautiful-data-with-dr-nathalie-riche","status":"publish","type":"post","link":"https:\/\/www.microsoft.com\/en-us\/research\/podcast\/beautiful-data-with-dr-nathalie-riche\/","title":{"rendered":"Beautiful data with Dr. Nathalie Riche"},"content":{"rendered":"
Dr. Nathalie Riche<\/a> envisions a future in which all of our data will be accessible, meaningful, compelling and artistic. And as a researcher in human computer interaction<\/a> and information visualization at Microsoft Research, she\u2019s working on technical tools that will help us wrangle our data, extract knowledge from it, and communicate with it in a memorable, persuasive and aesthetically pleasing way. In other words, she wants our data to be both smart\u2026 and beautiful!<\/p>\n Today, Dr. Riche shares her passion for the art of data driven storytelling<\/a>, reveals the two superpowers of data visualization<\/a>, gives us an inside look at some innovative projects designed to help us th(ink) with digital ink<\/a>, and tells the story of how a young woman with an artist\u2019s heart headed into computer science, took a detour to the beach, paid for it with research and ended up with a rewarding career that brings both art and computing together.<\/p>\n Nathalie Riche: DataInk<\/a> made me realize how expressive the pen can be. And when I was thinking about this project, I was like, I don\u2019t have to think when I use the pen. It\u2019s just like, you know, I\u2019m just expressing myself and I don\u2019t have to think about how am I going to do it? It\u2019s just so natural for me. I just put my pen down and then that\u2019s the way it goes. And so, how cool would it be if, you know, I could use this for just expressing my thinking all the time?<\/p>\n Host: You\u2019re listening to the Microsoft Research Podcast, a show that brings you closer to the cutting-edge of technology research and the scientists behind it. I\u2019m your host, Gretchen Huizinga.<\/strong><\/p>\n Host: Dr. Nathalie Riche envisions a future in which all of our data will be accessible, meaningful, compelling and artistic. And as a researcher in human computer interaction and information visualization at Microsoft Research, she\u2019s working on technical tools that will help us wrangle our data, extract knowledge from it, and communicate with it in a memorable, persuasive and aesthetically pleasing way. In other words, she wants our data to be both smart\u2026 and beautiful!<\/strong><\/p>\n Today, Dr. Riche shares her passion for the art of data driven storytelling, reveals the two superpowers of data visualization, gives us an inside look at some innovative projects designed to help us th(ink) with digital ink, and tells the story of how a young woman with an artist\u2019s heart headed into computer science, took a detour to the beach, paid for it with research and ended up with a rewarding career that brings both art and computing together. That and much more on this episode of the Microsoft Research Podcast.<\/strong><\/p>\n (music plays)<\/p>\n Host: Nathalie Riche, welcome to the podcast!<\/strong><\/p>\n Nathalie Riche: Bonjour!<\/p>\n Host: Bonjour! I like to start my podcasts by situating my guests and their research. So, let\u2019s situate you. You conduct research in the field of data visualization. In broad strokes, tell us what problems are you trying to solve, what questions are you asking, what gets you up in the morning?<\/strong><\/p>\n Nathalie Riche: I guess what gets me up in the morning is to be able to create visuals from data that actually can be useful to a lot of people. And you know, everyone has data, whether it\u2019s like personal or at work. So, that\u2019s sort of this unique opportunity to try to leverage that and then help people use that data, right, to gain knowledge and insights. And what really gets me up in the morning is this creativity part. Because I have this data that\u2019s really like you know ugly in some ways and I have to make it sort of inspiring and rich of insight and synthesize it. So, I have to craft sort of art from that data that could be also hard that is, you know, useful and like touching people. It\u2019s really akin to art, right? It\u2019s like how do you extract the message, and how you best communicate it? And people are just very receptive to things that are beautiful, right, and that touch you emotionally, or just simply like, you know, stop you and make you look at it.<\/p>\n Host: Let\u2019s talk a second about EPIC, or Extended Perception Interaction and Cognition<\/a>, \u201cthe group.\u201d It\u2019s a thing here. I\u2019ve had a few of your colleagues on the podcast already and your work falls under the larger umbrella of Human Computer Interaction, or HCI. But you follow specific lines of research within that, on smaller groups or teams, and EPIC is one of those. So, why this particular group? What does your team bring to the HCI table?<\/strong><\/p>\n Nathalie Riche: Mmm-hmm! We do EPIC research!<\/p>\n Host: Of course you do!<\/strong><\/p>\n Nathalie Riche: Well so, first, I really love our group. Our group is very diverse. We don\u2019t really, like, focus on one specific device. But what we care about is the experience. So, from end-to-end experience. For example, I care about inking. So, what do people do with a digital pen in their actual day-to-day job, or life? And so, we do care about the breadth of the activity and not just one particular domain or type of audience or task. What I really care about these days is how do you help people think with this digital ink?<\/p>\n Host: Ohhh.<\/strong><\/p>\n Nathalie Riche: Because I think with ink all the time, right, with pen and paper, on my whiteboard, and so on. So how can I really support this broad activity, right? Like, what do people do when they are thinking and how can we help them think with their device that has this pen?<\/p>\n Host: Right. You know, drilling in just a little bit there, I write a lot for my job.<\/strong><\/p>\n Nathalie Riche: Mmm-hmm.<\/p>\n Host: And I think on a whiteboard, and I have notebooks all over the house, in fact, half-filled notebooks\u2026 But I feel like there\u2019s a connection there that I don\u2019t have right now with any of my digital devices.<\/strong><\/p>\n Nathalie Riche: Well, in fact, that\u2019s what we try to bring to the table in lots of our projects, like the recent projects we\u2019re doing. You know, somehow, we don\u2019t have that connection with digital ink. But yet digital ink can do crazy things for you because it knows like everything is in the computer. So, could you imagine if you start writing down some notes and then it brings you back three of those ideas you had in those half notebooks all over the place. That\u2019s like this unique superpower.<\/p>\n Host: Sure.<\/strong><\/p>\n Nathalie Riche: So that\u2019s the sort of things we want to try to leverage, bring that connection, but then also the power of the computer.<\/p>\n Host: Speaking of superpowers, you have said, famously, to some degree, that data visualization has two superpowers. Okay, what are they?<\/strong><\/p>\n Nathalie Riche: Yeah.<\/p>\n Host: And why are they super?<\/strong><\/p>\n Nathalie Riche: Obviously, I have young kids and they love superheroes, so\u2026 so I just give superpowers to everything in my life. So, yeah, data visualization has two superpowers. The first one, it\u2019s about identifying insights. And the way visualization does this is by basically answering questions you didn\u2019t even know you had about your data. So, you just look at it, and it\u2019s a bit like looking at the clouds in the sky and then you see patterns. And it\u2019s not really that you were thinking about those patterns, right? It\u2019s very different from, like, running an analysis test, but it\u2019s more about something you are noticing and that basically it generates questions in your mind. And then that\u2019s like, you know, this making you see through some of that data. So that was about the exploration, right, and like, sort of, learning from your data\u2026<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: \u2026and identifying things. The second one is about communication. So, a picture is worth a thousand words, right? And, when you see the picture, a lot of that superpower that the visual has is just directly going through your sensory system. That\u2019s what we call pre-attentive. You are not even aware\u2026<\/p>\n Host: Interesting.<\/strong><\/p>\n Nathalie Riche: \u2026that it\u2019s like happening in your brain. And so, you are perceiving that message extremely fast. And so that\u2019s like this superpower of communication that is, you know, much faster than verbal or, like, textual. And so that\u2019s the superpower of communication.<\/p>\n Host: As a researcher, you\u2019ve made it clear that you are not a data scientist. Rather you work on building tools that data scientists will be using. And we can extract from that, to some degree, that that means you have to predict the future. So, tell us about your thought process as you seek to equip the next generation data scientists with tools for jobs that maybe haven\u2019t even been invented yet? I don\u2019t know, no pressure.<\/strong><\/p>\n Nathalie Riche: So, first, you know, I do think about data scientists like, as we know them today, which helps.<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: And I see a lot of them struggle. But I do think about, you know, the future in which every one of us is going to be a data scientist because, you know, we\u2019re going to have even more access to data and we\u2019re going to have to make decisions from it. So, the tools I\u2019m sort of thinking are more and more designed towards helping anyone deal with their data and like leveraging those two superpowers. So, sort of the way I predict the future is relying a lot of my own experiences, what I can learn, what I can do. I\u2019m sort of the \u201csuper\u201d data scientist, right?<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: Because I\u2019m the user of my own tools that I haven\u2019t done yet. So, sort of trying to rely on my own experience, and then other people\u2019s experience, and so I spend a lot of time observing people and like, you know, watching them work and then trying to sort of extract what are the key activities that they are doing that we really don\u2019t support right now and then trying to build tools to help support those.<\/p>\n Host: Let\u2019s talk about the data scientist for a second, because that\u2019s your kind of target audience even though it has broader application. What do they say to you when you talk to them, sort of upstream in your research, about the kinds of problems they\u2019re facing, what they wish they had, and what they wish they could do?<\/strong><\/p>\n Nathalie Riche: Right. So, a lot of the problems led to a lot of the research that I\u2019ve done like in the past five years which is a lot of data scientists, they are very good at what they are doing. So, they are very good at, basically, getting into the data and then, like, kind of massaging it and then extract those insights from it.<\/p>\n Host: Sure.<\/strong><\/p>\n Nathalie Riche: But one of their key struggles is to actually transform that insight into some communication that they need to do to their upper-management or, you know, to other people that aren\u2019t really that familiar with the data or with the method.<\/p>\n Host: Or technically sophisticated.<\/strong><\/p>\n Nathalie Riche: Exactly. And, you know, you need to have this good sense of design.<\/p>\n Host: Mmm-hmm.<\/strong><\/p>\n Nathalie Riche: And a lot of data scientists, although some are really amazing, still they had some issues like, you know, crafting aesthetically pleasing charts or even memorable ones.<\/p>\n Host: Mmm-hmm.<\/strong><\/p>\n Nathalie Riche: And so, a lot of this that\u2019s sort of like the activity we call storytelling.<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: And so, a lot of the struggle was about, you know, once you have the data and then you have the insights, how do I sequence it and message it and so that I have actually a story\u2026<\/p>\n Host: Right.<\/strong><\/p>\n Nathalie Riche: \u2026with visuals out of all of that masses of data and charts that I\u2019ve created.<\/p>\n Host: Well since you mentioned storytelling, I want to wade upstream before we get specific and talk about this big idea of data-driven storytelling. You have a lot of research projects going on in this space. But before we get granular, give us a sort of \u201craison d\u2019etre,\u201d if you will, for data-driven storytelling.<\/strong><\/p>\n Nathalie Riche: So, storytelling, you know, it\u2019s been there forever, right? I mean, that\u2019s the way humans communicated before they knew how to write.<\/p>\n Host: Right.<\/strong><\/p>\n Nathalie Riche: And in fact, a lot of them drew. And so, we sort of kept this going on, right? And that\u2019s one of the best ways to convince people and try to convince them to make decisions and so storytelling is really this notion that you can take this person with you along the path of your reasoning so that that person can see your argument and understand it and hopefully, you know, agree with you all the way\u2026<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: \u2026until you can make your point. And so, what\u2019s really the point of the storytelling is to demonstrate your point you are making there, substantiated by data. It\u2019s not just like you know out of my own brain\u2026<\/p>\n Host: Right.<\/strong><\/p>\n Nathalie Riche: \u2026but it\u2019s like data that I\u2019ve collected so that it\u2019s somewhat more objective than my own opinion. And so, there is an art to it, right? You need to have the story, but you also need to show that this is coming from the data you\u2019ve collected. So, that\u2019s where it\u2019s become very difficult because you have to link that data and the objective facts, then weave them into a story that is logical and a progression, and that people can, you know, come along with you and then understand each step on the way. And then be able to sort of agree or disagree or make their decision.<\/p>\n Host: Right. So, it\u2019s interesting that you frame this in terms of persuasion\u2026<\/strong><\/p>\n Nathalie Riche: Mmm-hmm.<\/p>\n Host: \u2026and you are talking about data and visuals and stories.<\/strong><\/p>\n Nathalie Riche: Mmm-hmm.<\/p>\n Host: How much emotion is necessary, or finds its way in, in this path?<\/strong><\/p>\n Nathalie Riche: Ah-ha! That\u2019s the big elephant in the room in the field, because we want to be truthful to the data and objective. But the reality is, you know, emotions have a big impact.<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: And so, and the visuals can carry a lot of that emotion. But it\u2019s also really hard to measure. In fact, we have a team in HCI that works on this. Mary Czerwinski\u2019s<\/a> team. But so basically, it\u2019s very hard to quantify, but it has a very strong impact. And so right now it\u2019s like an open research problem.<\/p>\n Host: Well you can\u2019t really extract it because any kind of a visual, a picture, an image that you show, will probably have some kind of an impact on a person looking at it.<\/strong><\/p>\n Nathalie Riche: Mmm-hmm.<\/p>\n Host: And so, you\u2019re like, we want it to be emotional enough that we can move people along and motivate and persuade\u2026<\/strong><\/p>\n Nathalie Riche: Mmm-hmm.<\/p>\n Host: \u2026but not so much that it becomes propaganda?<\/strong><\/p>\n Nathalie Riche: Exactly. And I guess a lot of that is also from the data itself. That\u2019s also hard to control. You know, if I show you data about, like, you know, World War I or World War II, it\u2019s very different from sales in Surface devices.<\/p>\n Host: Right?<\/strong><\/p>\n Nathalie Riche: Although you know some people at Microsoft might find it more emotional.<\/p>\n Host: It depends on if it was a bad month\u2026<\/strong><\/p>\n Nathalie Riche: But that is very hard to control. And there is a number of works that start tackling this.<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: But it\u2019s still very sort of recent\u2026<\/p>\n Host: \u2026research.<\/strong><\/p>\n Nathalie Riche: \u2026you know. Yeah.<\/p>\n (music plays)<\/p>\n Host: Well let\u2019s get specific and start with a super interesting project called DataToons<\/a>. This was highlighted in a paper you just presented at CHI this year and it made me want to be a data scientist because I wanted to use it. That\u2019s pretty cool. Tell us about DataToons and what comics, or cartoons, have to do with a very serious field of data science.<\/strong><\/p>\n Nathalie Riche: Yes. So, when we started to work on storytelling, of course my brain went to stories that I read to my kids and, among those, there\u2019s a lot of those illustrated stories and comics. And so, I sort of stored that in part of my brain and then went on with, you know, the more sort of \u201cserious\u201d storytelling.<\/p>\n Host: We\u2019re making air quotes a lot in here.<\/strong><\/p>\n Nathalie Riche: But then after a while, I thought we should really leverage this notion of comics because they are very sequential, and they really are good at conveying, you know, like, temporal stories and so this whole line of research started on how we can leverage this genre of storytelling and then make it data driven. And so that\u2019s what we call the data comics. So, we\u2019ve done a lot of research on those data comics. How are they differing from infographics? What sort of design principles we can give people to create those and whether they are effective as a storytelling mechanism? And a lot of those research actually ended up in papers at the CHI conference that you are citing. And then a lot of those papers gave us ideas about a tool that could help you craft those. And that tool is DataToon. And, given the work in our group about pen and touch and all of those devices that we have at Microsoft, we sort of tried to leverage the Surface Studio and then tried to offer this nice pen and touch experience to craft comics from your data. And so basically, what we end up doing is, you load some data set that you have \u2013 it could be an Excel spreadsheet, you know, of your finances \u2013<\/p>\n Host: Yeah. Please no\u2026!<\/strong><\/p>\n Nathalie Riche: \u2013 and you basically drag and drop part of it to create panels.<\/p>\n Host: Oh, okay.<\/strong><\/p>\n Nathalie Riche: And then, as you duplicate panels, and you change the date and time, or like you change the style, or you change, you know, some of the focus of the part of the data you are caring about, you are basically creating this sequence of panels and you lay them out in space, and it becomes a comic. So that\u2019s the idea behind this DataToon.<\/p>\n Host: Where does that live right now? Is it still sort of in research or is this downstream and I could get it if I had a Surface?<\/strong><\/p>\n Nathalie Riche: It\u2019s in-between.<\/p>\n Host: Somewhere between!<\/strong><\/p>\n Nathalie Riche: So, it\u2019s online. So, we like to do a lot of our tools like on the web nowadays.<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: So, it\u2019s website you can just go to.<\/p>\n Host: Okay.<\/strong><\/p>\n Nathalie Riche: It\u2019s research in the sense that it\u2019s a prototype, so, you know, it doesn\u2019t handle tons of data. And, you know, it\u2019s not really ready for massive usage.<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: But you can use it with some of your data and then you can craft comics. And the whole idea behind it is really to help the research community and people interested in trying to create comics and then see the sort of comics they could create.<\/p>\n Host: Right.<\/strong><\/p>\n Nathalie Riche: And then reflect upon those and figuring out the sort of comics that are created whether, you know, people enjoy this medium or not.<\/p>\n Host: Yeah, this work that you are doing is incredibly visual, as if that weren\u2019t obvious from \u201cdata visualization,\u201d and here we are in an audio podcast. So, I\u2019m going to encourage our listeners to hit up the Microsoft Research website and go to your page, Nathalie Riche. That\u2019s N-a-t-h-a-l-i-e R-i-c-h-e and look at some of the videos of this work because it\u2019s really cool, the demos that you\u2019ve got showing how it works. And we really can\u2019t convey that.<\/strong><\/p>\n Nathalie Riche: No.<\/p>\n Host: But you\u2019re doing a good job with words.<\/strong><\/p>\n Nathalie Riche: Thank you.<\/p>\n Host: So, anyway. Well, creative visual expression, which is kind of what we\u2019re talking about writ large, is always a challenge given that most people can\u2019t draw.<\/strong><\/p>\n Nathalie Riche: Mmm-hmm.<\/p>\n Host: And most data visualization tools are actually designed for data professionals of one sort or another.<\/strong><\/p>\n Nathalie Riche: Mmm-hmm.<\/p>\n Host: But your team has developed a tool called DataInk for people who might want to express personal data more beautifully or to a less professional audience. And this is a really cool project because it was inspired by another really cool project called Dear Data. So, give us a bit of the back story on Dear Data and how it informed your work on DataInk and where that lives now.<\/strong><\/p>\n Nathalie Riche: So, Dear Data is such a fascinating project. Like when I learned about it, my heart burst with love for those people! Um, and basically, Georgia and Stephanie, they are both designers, and one is in New York and one lives London. So, every week they would go about collecting data about their life. So, they would agree ahead of time about what sort of data to collect and then they would collect that data, and then at the end of the week, craft a unique visualization that highlights that data and you know, some insight about that data.<\/p>\n Host: Mmm-hmm.<\/strong><\/p>\n Nathalie Riche: And then craft this unique and whimsical visualization of their personal data. They would actually draw it on a post card and then send it to each other. And so, they did this every week for a year. So, can you imagine? Like, that\u2019s sort of the dream of any researcher! Because you have all that data plus the visual language. And they were all like beautiful, and they were all very unique. And they each conveyed those emotions about that data. So, this was just so inspiring. And knowing that a lot of those post cards, they are created by very simple shapes. So, you know, you mentioned earlier, like, you don\u2019t know how to sketch or how to draw, but you know how to draw a circle. And you know how to draw an arc. So, a lot of those compositions, they are composed by very simple shapes that anyone can draw. But yet putting them together is like this just unique beautiful art, but it\u2019s also meaningful art, right?<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: That tells you a story about a little piece of you. And so, when looking at this, we were just so inspired and we thought, that must be such, you know, hard work, first to collect that data, and then to draw it, because they actually did sometimes spend hours just redrawing it. And so, we thought maybe by making it easier, people could benefit from, you know, working with their data and maybe sharing it with others without the dedication required to spend hours drawing on the post card, right? And the other thing is, once you are invested in this one idea, you just go for it because it\u2019s so long, you know, and tedious. So, you can\u2019t really change your mind as you are doing it because it\u2019s so tedious. Like, if you\u2019ve done half of your data, you are like, argh, I\u2019m just skipping this circle! So, we thought also that the digital device could help you sort of change your mind because it will just populate the entire data visualization, you know, if you change your mind from circle to square. Boom, it\u2019s sort of done in a second. So, we developed this tool called DataInk where you can start from a sketch and then you can bind properties of that sketch. So, say the color of the circle, or like the stroke width of the circle to a data property, and basically generate the entire visualization for all of your data.<\/p>\n Host: So, what I\u2019m hearing is that you\u2019ve got the tactile, human interface of pen and touch\u2026<\/strong><\/p>\n Nathalie Riche: Mmm-hmm.<\/p>\n Host: \u2026and then you have the power of a digital tool underneath that\u2026<\/strong><\/p>\n Nathalie Riche: So, the computer is basically assisting you, right? So, you sort of give the comment and it just does it to all of your data. So, imagine if you\u2019ve collected, you know, two thousand sleep patterns.<\/p>\n Host: Yeah.<\/strong><\/p>\n Nathalie Riche: You know, you are deciding about the way you want to include it. So, oh, I\u2019m going to use shades of colors for, like, how long I slept every night. And once you\u2019ve decided about that color palette, then basically you tell the computer, okay, just do it for the two thousand points.<\/p>\n Host: Autofill.<\/strong><\/p>\n Nathalie Riche: Yes. Autocomplete! That\u2019s it! Yes.<\/p>\n Host: Okay, so we\u2019ve got these threads of DataToons, DataInk\u2026 There\u2019s another project I want to talk about which is called ActiveInk. So, when we think about traditional data visualization tools, or even other CAD tools \u2013 computer assisted drawing \u2013 we think about the classic computer user interface of a mouse, a keyboard and a screen. But it\u2019s much more natural for us to use our hands and pens, via touch. And you have an answer to that, too. Interface innovation galore! It\u2019s ActiveInk. Tell us about ActiveInk and how it changes our preconceptions about \u201cthhh-inking\u201d with ink \u2013 thinking with ink!<\/strong><\/p>\n Nathalie Riche: Ooh.<\/p>\n Host: You do a lot of these wonderful plays on words. It\u2019s just\u2026 I love it, as an English major.<\/strong><\/p>\n Nathalie Riche: So, yeah, in fact, you know, we just talked about DataInk, and DataInk made me realize how expressive the pen can be. And when I was thinking about this project, I was like, I don\u2019t have to think when I use the pen. It\u2019s just like, you know, I\u2019m just expressing myself and I don\u2019t have to think about how am I going to do it? It\u2019s just so natural for me. I just put my pen down and then that\u2019s the way it goes. And so, how cool would it be if, you know, I could use this for just expressing my thinking all the time? And especially when I deal with data, or when I work with documents and maps and spreadsheets, if I could just express what I\u2019m thinking, or like cross-referencing information from one to the other with just my pen. So that\u2019s what ActiveInk is. And basically, the idea of \u201cactive\u201d is, you know, when you have everything, imagine you have this big canvass and you have all of your pieces of information that matter. And basically, you start drawing on top of it with your pen, you know, to show connections between them. Basically, the system knows what you\u2019ve drawn on top to, right? It knows the underlying content. So, it can, sort of, transform the rest of the material that you have on your screen. And so that\u2019s basically why we said the ink becomes active. So, you draw something that\u2019s sort of your externalization of your thinking right there, right? And then the system sort of looks at what you\u2019ve circled there and then shows you relevant information. You know, the way we see the ink is sort of a deferred command that you would do to the system. You didn\u2019t yet do the action, but you were going to probably do this. And so, we can actually just boom, remove that friction and that need for you to go and actually do that, we could just do it automatically. So that\u2019s what ActiveInk is about.<\/p>\n Host: Okay. All right. So, we keep referring to the system.<\/strong><\/p>\n Nathalie Riche: Yes.<\/p>\n Host: Can you unpack that? Is it the internet? Is it data that I\u2019ve already collected? Where does all this information come from, that it knows?<\/strong><\/p>\n Nathalie Riche: Ah ha-ha. Well the system, especially in my world, it\u2019s all about a web app.<\/p>\n Host: Okay.<\/strong><\/p>\n Nathalie Riche: So, imagine you go on a URL and then that\u2019s an application there.<\/p>\n Host: All right.<\/strong><\/p>\n Nathalie Riche: And we always sort of assume that you have a bunch of documents living in the cloud, right? So, we know, because you\u2019ve logged in in some other places like, you know, in your Office 365 account, we sort of know all the documents that you own, or that you can have access to. And imagine, you know, it would be like logging on One Note and just having some special capabilities that we give to the digital ink\u2026<\/p>\n Host: Okay.<\/strong><\/p>\n Nathalie Riche: \u2026that lives in an app where we sort of know your content and we can retrieve it for you.<\/p>\n Host: Would it incorporate places that I\u2019ve looked on the web in terms of, you know, searching for information and things like that?<\/strong><\/p>\n Nathalie Riche: Exactly. And so that\u2019s another component. Ha-ha! You\u2026 Interesting! You, you\u2019ve just\u2026!<\/p>\n Host: Yeah, little threads everywhere\u2026<\/strong><\/p>\n Nathalie Riche: Yeah, look at you! Um, but yeah, one thing, for example, that we transfer from pen and paper to active ink in the digital world\u2026 so, you know how, when you sort of read, like, documents, you may write a little asterisk someplace, right, like on important information or important paragraph, and then you put this asterisk in some other places and so, like, as a reference or bookmark. So, we sort of do this in ActiveInk. So, when you browse the web, you can circle part of a web page that you are interested in and you could usually refer it with the little symbol or little asterisk. And so, in ActiveInk, then, you can just draw that same shape and like search for similar ones. And so, it can retrieve for you all of the little shapes that were in other pages and then just retrieve that part of the content in the ActiveInk canvas.<\/p>\n
<\/a><\/p>\nEpisode 84, August 7, 2019<\/h3>\n
Related:<\/h3>\n
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\nTranscript<\/h3>\n